They quietly reflect a sense of our tastes, discernment and outlook, and do so in a manner without ostentation or braggadocio. Our choice of accessory items speak volumes to people we encounter every day. All, save one: the confident snap of the flame-cap is provided by yet another innovation, a spring made of a special polymer more resistant to fatigue even than steel. You can feel it in your hand a gravitas created by the nickel, steel, and brass serving in all the essential parts.
Much as we demand of all things we rely upon every day, that which become dearest to us, entirely hand assembled in Japan, the Kiribi construction is meticulous.
Innovations such as a dual-flame design, which provides the benefit of a wider, more gentle light for your pipe and a single tank construction of extraordinary fuel capacity. In the end, it really is a grind.The Kiribi lighter combines smart, retro styling with modern improvements in engineering. Love Streak offers no such reinvention Shhnow, ever the workman, just punches in and out. T-Pain’s solo debut Rappa Ternt Sanga is perhaps the pinnacle of the genre, transforming him into the stripper-loving robot casanova that he couldn’t be as part of harder-edged group Nappy Headz. Chief Keef’s disarmingly tender Thot Breaker, Future’s gently toxic HNDRXX, and Ghostface’s effusive Ghostdini are all journeys of self-discovery that unlock new flows and personas. 2.” What? Typically, when rappers turn to R&B for an entire album, they use the melodrama and vulnerability of the genre to expand their songwriting. “If getting money illegal, I promise/The president ain’t thinking pardoning me,” he raps on “Sometimes, Pt. Though Shhnow imagines himself as a chameleon like his idols Lil Wayne and Gucci Mane, in practice, most of his lines are just dopey puns (“I smoke on this kryptonite, but she say I’m superior”) or boasts that wouldn’t be memorable even if he were rapping over his standard trap and plugg fare. You could choose to ignore the tender conceit and think of Love Streak as “Tony Shhnow talks his shit over R&B-type beats,” but that would require his flexes to be distinct or entertaining. “Unordinary Drugs” turns Sade’s “ Ordinary Love” into a bass-heavy clunker that sounds like a bungled karaoke round. Women-led R&B groups like SWV and Kut Klose are sampled perfunctorily, their songs barely tweaked or reimagined.
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“I tried to go into their world so I could really understand how to speak on some of these topics.” But despite plush standouts like “Control Issues” and “On the Street,” the mood of seduction and longing feels strained. He’s rapped over these kinds of arrangements before, but this time the choice of R&B is more intentional, positioned as a natural soundtrack to the workings of the heart: “Women are always listening to like R&B and watching love movies and Casablanca,” he’s observed. Moving away from plugg, which softens trap bustle with whimsical 16-bit melodies seemingly ripped from a JRPG battle theme, Shhnow opts for production designed to evoke the tension and catharsis of quiet storm. “She from up North, got an accent,” Shhnow says of one lover on “Control Issues.” Another sounds like a malfunctioning fembot on “Need,” offering a truly inhuman string of stock pleas: “She in my ear saying/‘Touch me, tease me/Feel me, please me/Free me, heal me/…Somebody save me.’” The disembodied women Shhnow invokes across the album amount to a word cloud from a porn site search bar: “thick,” “Spanish,” “sisters.” Though all these ladies are inexplicably horny for him, they lack personalities, jobs, and even home states. The resulting music is empty and often nonsensical.
Instead of grounding his writing in his chosen topic, Shhnow cuts and pastes romantic signifiers into non sequitur punchlines. For inspiration, he explained, he watched “love movies” like Poetic Justice and The Notebook and “would take bubble baths, light candles, and listen to 48 Hz music and shit like that.” That crash course in deeper feelings conveys the extent of his investment. Love Streak is supposed to showcase Shhnow’s more sensitive side through songs about romance and its complications, but he sounds as though he’s never even been on a date. But Shhnow’s relentless exertion yields little on Love Streak, a new R&B-inspired album on which he talks about love like he skimmed an Axios article before walking into the booth. “I want this shit more than anyone,” he declared on 2021’s “ Want It,” a grindset ethos reinforced by the titles of releases like “ No Holidays,” “ Can’t Sleep,” Kill Streak, and Plugg Motivation. The central theme of Tony Shhnow’s dozen-plus mixtapes and albums is constant effort.
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